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Beneath the
Mac
Apple adherents consider
themselves to be hip, alternative and special. The reality is quite the reverse In Apple’s series of web-based Mac
advertisements, the PC is characterized by an unattractive, speccy, middle-aged
accountant in a grey suit. Next to him stands the supposed anthropomorphic
personification of the Mac: a post-grunge, attractive, twenty-something guy in
designer jeans. The accountant talks about how PCs are good for business and
spreadsheets; the Mac guy then talks about how cool Macs are, because they’re
made for the home. And... well, they’re just cool, okay?  And this is the secret of Apple’s
success: marketing the Mac to people who think that a different computer will
make them appear more interesting to the opposite sex. Or the same sex. Thanks
to this vapid yet somehow seductive way of tying of their product to an image, Apple
has generated quite remarkable consumer loyalty.
Image dealt with, Apple propagates
a series of myths about its computers that do not stand up to real-world
experience.
Exhibit A: Apple says
Macs never crash. This writer has discovered this claim to be untrue on at
least three occasions. Macs lock up too, in much the same way as a PC. Apple’s India
website now runs on Linux Redhat instead of Apple’s own operating system,
thanks to incessant crashes.
Then, when you’ve
rebooted your Mac, you discover that it is impossible to trace the source of
the crash – unlike on a PC.
Then there’s the
compatibility aspect. Despite the new generation of Mac/PC compatible
software, anyone who’s tried editing PC-formatted Office files on a Mac will
tell you that it’s never plain sailing. Besides which, getting a Mac in order
to run a sub-standard version of PC software seems a thoroughly pointless
exercise.
This links into
another clever facet of Apple’s grand strategy: the tactic of enforced loyalty.
A Mac, says Apple, comes with all the software you need to get started, like
iLife, a multimedia platform. But iLife is, at best, an average piece of
software. Apple users think they’re getting the best, and settle for it. After
all, it comes with the machine, so why grumble?
But the reality is
that PC users have a raft of more advanced software to choose from, which they
can mix and match to their taste. Apple’s iLife resembles a quick fix: a
consumer snare just good enough to engage a customer, and hike those sales
figures skyward.
Another of Apple’s claims is that
its machine is perfectly attuned the internet. Once again, Apple seems happy to
ignore the fact that even Windows has included automatic web compatibility for
years. And as far as networks go, the Mac website clearly states that,
“networking on a Mac is built on the same technologies used by PCs.” This is to
say that Apple couldn’t come up with anything better, so it just used what PC
developers built in the first place. It’s no secret that
Macs are the weapon of choice for many designers. In the field of design, Mac
has produced a powerful tool for image manipulation and rendering. This leads
the other Mac users – that is to say, the majority – to think that they are a
step ahead of the crowd; that they’re on the cutting edge. In essence, because
Macs are used by designers, the creatively-challenged believe that owning a Mac
will endow them with the imagination that they never had.Then there is the hardware. On the Mac
website, a series of rhetorical questions is asked of PC users. For example: “can you put the system to sleep just by closing the lid?”,
and, “can your PC laptop automatically switch between Ethernet, dial-up and
wireless connections on the fly?” Yes, and yes. Proceeding down the list of questions,
one realizes that a PC laptop is easily capable of doing everything a Mac does
– just without the hype.
It is hard to credit
that Apple seems unaware of the capabilities of its competitors, but in many
ways, this attitude encapsulates the Mac philosophy: If you believe it’s better
than a PC, it must be. Oh, and by the way, it looks cute.
Then there’s the most
negative argument of all: The Mac is not a PC! Consumers are asked to buy the
product because of what it isn’t. After all, Microsoft is evil, isn’t it? You
wouldn’t want to put money into the pocket of Bill Gates, the world’s biggest
charity donor. If you buy Apple, you are instead putting money in the pocket of
Steve Jobs. And according to the Giving USA Foundation and Indiana
University’s
Centre on Philanthropy, Jobs doesn’t even appear on the charitable
contributions list, despite being worth $3.7 billion dollars - partly thanks to
Disney’s recent takeover of Pixar, which Jobs founded.
Of course, Jobs might
be giving to charity anonymously. But Gates has used his profile to further
enhance public awareness of the charities he supports, effectively extending
their reach and positive impact.
The truth is that
anyone who buys Apple for ethical reasons is ignoring the fact that Apple is,
like Microsoft, a nefarious megacorporation intent on one thing: maximizing
shareholder value. And Apple’s share performance shows that, in this regard,
the company has trounced Microsoft roundly. Shares in Apple have seen returns
of more than 120 percent over a five year period, compared to returns of minus
one percent for Microsoft. No corporation sees these sorts of returns without
the most rapacious corporate strategy possible.
But to buy into the
brand image, you’d think that Apple executives spend their time saving baby
seals whenever they’re not snowboarding. The illusion that Apple has worked so
hard to foster has proved a success. Apple users buy into that illusion, lock,
stock and barrel, dutifully repeating everything they are told about their
celebrated white box.
So look at those Mac ads once
more, and you might find that the lardy PC fellow bears more than a passing resemblance to Steve Jobs. And if a Mac were to be personified truthfully, surely its human form would be
that of a rebellious teenage girl: she wants to be different, but in reality
she’s just fitting in. She claims to be rejecting consumer culture, but she’s
modelled herself on what she’s seen on TV. Above all, she thinks she’s
saying something new, when behind it all is a boardroom of executives who look
like… the PC guy.
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